On the Radar!

Okay, party peeps, I am going on a short hiatus of a week or so since my mom is in town. In the meantime, know I am thinking ahead. With that in mind, I present my recommendations for books that will be publishing in the next couple of months that I am looking forward to.

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The Sin Eater’s Daughter Review

Sin Eater's Daughter

Warning***Minor Spoilers***

Title: The Sin Eater’s Daughter

Author: Melinda Salibury

Publisher: Scholastic Press

Flap copy:

“Seventeen-year-old Twylla lives in the castle. But although she’s engaged to the prince, Twylla isn’t exactly a member of the court.

She’s the executioner.

As the Goddess embodied, Twylla instantly kills anyone she touches. Each month, she’s taken to the prison and forced to lay her hands on those accused of treason. No one will ever love a girl with murder in her veins. Even the prince, whose royal blood supposedly makes him immune to Twylla’s fatal touch, avoids her company.

But then a new guard arrives, a boy whose easy smile belies his deadly swordsmanship. And unlike the others, he’s able to look past Twylla’s executioner robes and see the girl, not the Goddess. Yet Twylla’s been promised to the prince, and knows what happens to people who cross the queen.

However, a treasonous secret is the least of Twylla’s problems. The queen has a plan to destroy her enemies, a plan that requires a stomach-churning, unthinkable sacrifice. Will Twylla do what it takes to protect her kingdom? Or will she abandon her duty in favor of a doomed love?”

I hated this book. Whoever wrote the flap copy was brilliant, because it made me want to read this book, but this book is terrible. It wasn’t until I was half way through that I realized that NOTHING really happened in the story. Twylla spends 50 pages trapped in her room, getting to know Lief. The big reveal that Twylla was being used and lied to didn’t feel that earth shattering. It wasn’t until the end of the book that I felt the “click” of a story.

In my opinion, I think the author has a good story on her hands; this book was just not it. I would have put this whole book as a novella flashback book as a bridge for the real story.

I would not have acquired this book. It didn’t work for me and short of scrapping the whole thing and starting over, I could not see it working.

Girl Books versus Boy books

I can’t stop my mind from churning. If you read my recent post, then you might know why my brain has been so active. At the time, I also read a post by the AH-Mazing Shannon Hale.

I have been following her on Twitter so I had some exposure to this post, but one afternoon, I sat down and really thought about it.

The Scholastic Reading Reports do report that girls read more than boys as they age. But as Hale points out, we give books to boys with the qualifier of “it’s a girl book.”  Her story of the third-grade boy afraid to ask aloud for a copy of The Princess in Black broke my heart.

Take a look at your bookshelves. If they are like mine, you will notice that a lot of the YA books are making a shift. I went to a lecture three years ago where a cover designer said that every YA book had to have a girl in a big poofy dress (she was discussing the current state of design elements, not saying it was actually necessary). But as I look at the books I have on my nightstand right now, I am seeing a shift. Yes, some of the books still have girls on them, but a lot of them are starting to have more artistic renderings.

Think about all the big bestsellers, for example: Divergent, The Fault in Our Stars, Hunger Games, and Twilight.

Divergent Hunger Games The Fault in our Stars Twilight

Something most people won’t notice about all of these books is that they all lack a character on the cover. In fact, all the books rally around a symbol or typography (type face like in Twilight). These books for all their content don’t make a “girl” book or “boy” book cover.

Hale’s book, by the nature of the age group she writes for, does have a character on the cover. But I agree the nature of conversation about books needs to change. We tell boys that this is a “girl” book.  The school administration assumes boys won’t be interested in what a female writer has to say.  With the “gate-keepers” making those types of decisions and statements, is it any wonder that boys believe it?

I believe there are things that both sides can do to help eliminate “girl” and “boy” books. With YA, we are seeing a shift in design. I need more research to make a point on middle grade covers. But if cover designs are shifting, why then do we still feel the need to qualify a book?

Good writing is good writing. Say, “This book is something you might like. Let me know how you find it.” Start a dialog instead of shutting it down.

Throwback Thursday: The Adventures of Beekle: The Unimaginary Friend


“This magical story begins on an island far away where an imaginary friend is born. He patiently waits his turn to be chosen by a real child, but when he is overlooked time and again, he sets off on an incredible journey to the bustling city, where he finally meets his perfect match and-at long last-is given his special name: Beekle.

I read this book last year before it won The Caldecott. I loved it then and I love it now! Beekle is so adorable and I love the art. The contrast between the real world and Beekle’s world was well decided. It pulls on my heartstrings the way Beekle goes in search of his friend.

Children will definitely appreciate the imaginative drawings and vivid colors. It is a sweet story that I recommend for young preschoolers.

Reflections on the New York Teen Author Festival

On Saturday, I attending New York City’s Teen Author Festival symposium. I cannot stress how much I learned from these panels.

Source: kimmysschmidt.tumblr.com

Fair warning, this is going to be a long post. I have a lot of thoughts and wisdom to convey from these brilliant writers.

Keynote from Libba Bray on gender and books:

Libba Bray, who is completely adorable, discussed the issues of gender and books. We have built a language around “boy” books and “girl” books and it needs to stop. Books are not “girl” or “boy” books. Bray recounted stories of how teens today are well versed in the language: Blue and silver is scifi, pink is romance. More than one story was told of kids being told they might prefer a different book because it was really a “girl/boy” book. Bray even admitted that she writes different inscriptions based on the gender of the reader. When did we move into such binary terms? Highlights from the keynote include:

  • Change is hard and slow, and necessary.
  • In the prestigious books, it is still a boy’s game. Any gains by females are seen as too much.
  • We ask girls to engage with male narratives all the time. Why can’t we ask the same of boys?
  • Issues of racism and sexism don’t course correct. It takes work.
  • Change CAN happen-avoid lazy classifications, build bridges, not cages.

Exploring Feminist YA:

Panelist: Libba Bray, Gayle Forman, Nova Ren Suma, ScottWesterfeld; moderator: David Levithan  

The keynote transitioned into a panel on writing feminist YA.  Highlights include:

  • Books are machines for becoming other people (Scott Westerfeld)
  • The binary terms leave no room for real people.
  • You can still have the conversation be about gender even if your character is gender fluid. (David Leviathan)
  • Open discussion to authors is needed.
  • Genderization of books starts with the gender of the author.
  • Boys usually hide the covers, and librarians will remove covers to encourage boys to read a book.

I took away two powerful things from this panel. When Gayle Forman talked about how she wonders how her publishing experience would be different if she was Gayle Forman the male writer vs Gayle Forman the female writer, I felt that there needed to be more open discussion to authors about some aspects of publishing. I am a strongly believer in trying to keep my authors informed as much as possible about why things need to happen and what we are doing. It helps my author ask the right questions later and understand that we are moving. Medical publishing is not a fast moving enterprise, so keeping the author informed also reminds them that though this book might not be important to them, we are trying to make it important to others. I believe in open discussion to authors whenever possible. That way they are not wondering if this would be different if they were a male.

The second big take away for me was what Scott Westerfeld said: “Books are machines for becoming other people.” This statement had a huge impact on me, especially in relation to the next panel. Studies show that reading fiction increases your ability to feel empathy with others.

Just remember these facts as we move on to the next panel, because my mind started churning a mile a minute here.

Issues of Representation in YA:

Panelist: Maria E. Andreu, Coe Booth, Sona Charaipotra, Dhonielle Clayton, IW Gregorio, Adam Silvera, Andrew Smith; moderator: David Levithan

Of the three panels, I have to say, this was the panel that was blowing up my Twitter feed. Everyone on the panel has written about diverse characters, and the founders of We Need Diverse Books were on the panel to discuss the topic. Highlights from that panel include:

  • Reviews tend to pick on diverse characters for having too many issues.
  • It is a challenge to learn of other cultures. If you are writing from outside, you run the risk of misrepresenting.
  • “Write what you know” can be the worst thing to say to an author. Better to say, “Know what you write” and “check your work”.
  • Have a conversation with people, instead of sounding off.
  • There is diversity within diversity. There can be no one story that encompasses it all.
  • We (readers, publishers, etc) have code words to skirt getting diverse books, i.e. urban fiction and free and reduce lunch.
  • You need insightful books for EVERY kid.
  • Authors who have written diverse characters can feel the burden to keep writing diverse characters.
  • All kids want drama.
  • Do your research! And have people in the know double, triple check your work.
  • We need books where diversity is not the story.

Truth bombs were everywhere on this panel. There is no excuse for not writing diverse characters. Like they say, you just have to RESEARCH and CHECK your work. I might revisit this panel at length in another post because it was a gold mine. But to carry on what I was thinking from the previous panel (“Books are machines for becoming other people.”), I was struck by two things here: that librarians would tell writer Coe Booth that they could not take her books because they only had “10% free and reduced lunch”. It was code for we don’t have many minorities. There is so much wrong with that statement it would take another post for me to dissect it, but for my point, this statement coupled with David Levithan’s statement of “You need insightful books for every kid” is where I want to go.

So if books are the machines for becoming other people, and studies show that reading fiction increases empathy, then why not read about diverse characters? You are learning about someone else’s perspective and learning to empathize with something you may never experience. Americans ban books like The Absolutely True Diary of a Part-Time Indian and yet try to claim that our country is not racist. Diverse books are not just needed for those not represented in literature, but for the majority that needs to empathize and be exposed to what a portion of the country goes through. Much like #HeforShe is not just for women, Diverse Books are needed for all readers so we as human race can be better.

SOURCE: http://gif-book.tumblr.com/post/15948419578

Like I said, this panel sparked my brain.

Who You Are and Who You Love:

Panelist: Nora Raleigh Baskin, Carolyn Mackler, Chase Night, Cindy Rodriguez, Jennifer E. Smith, Jenn Marie Thorne, Will Walton; moderator: Melissa Walker

Highlights include:

  • All love stories are a quest for identity.
  • Some writers use writing to find their own identity and constant coming of age.
  • Knowing you character can really give you the tools to know who they will love.
  • Identity is constantly shifting.
  • It comes down to timing.
  • Love is to be heard, whether by another or yourself.

Nora Raleigh  Baskin had a brilliant line in “All love stories are a quest for identity.” She put it amazingly, that as young kids we think a soul mate will complete us. It isn’t until we are older that we realize that is not true, and must discover ourselves first.  Which is the perfect segway into the strong characters panel.

Creating Strong Characters:

Panelist: Sarah Beth Durst, TM Goeglein, Elizabeth Kiem, Kieran Scott, Jessica Spotswood, Robin Talley, Sandra Waugh; moderator: Terra Elan McVoy

This panel reminded me so much of being in college. I would love to hang with Terra Elan McVoy and just have really insightful conversations. They were discussing strength in characters, but there are some universal truths here, too. My personal motto: “I am a tree in the wind: I bend, I do not break.” Highlights include:

  • Strength is how you handle what is thrown at you. It is someone who changes rather than breaks.
  • High stakes act as a cauldron to boil down the person to find the strength.
  • Reactive vs. proactive: how do you respond.
  • As McVoy said: “Strong characters are like strong cheese: it’s not for everyone.” You don’t have to like strong characters, but they need to be understandable and you need to be invested.
  • Something admirable, a sense of humor, etc is how to make readers care.
  • You need spectrum for any journey.
  • Why men are not classified as “strong male characters”: The idea as men being strong has been embedded in conscious thought. We have only just started emerging out of the time of women as lesser. Prince vs princess.
  • Strong girl and sensitive boys are types
  • We say strong female because she has male characteristic, and the sensitive boy has female ones. Who decided these personality traits had a gender?

I felt like the end of this panel circled back to the Feminist panel. We admire Katniss for being a strong character, but what exactly do we admire about her? What aspects of her personality are we admiring? I feel like the highlights sum up the discussion nicely. This particularly panel invites more questions than answers for me. The things I like about some of my favorite characters are their intellect (Kestrel in The Winner’s Curse, Hermione in Harry Potter) and their pro-activeness (Katniss in The Hunger Games). For me, these are not male or female attributes, but I did feel invested in their journey even if I didn’t agree with some of their choices.

These panels gave me a lot to toy with and think about. There will probably be posts in days to come where I break down some of the statements and stories told. If you are in New York next year, I suggest attending some of the panels, especially if you are a writer.

My Fantasy Publishing Team: Meg Cabot

There are some writers that come along and, as a reader, you just fall in love with them. You can fall in love with their writing style, their stories, or their personality. For me, Meg Cabot is that author. I not so secretly wish could work with her.

Ever since I read The Princes Diaries, I have wanted to work with Meg Cabot. I even have the story I want to work with her on planned out (Look for that post later). Her writing has  humor and heart. I absolutely adore her all her books. But Meg Cabot is a cool author. Check out her blog! It is hilarious!

Let’s be real: Meg Cabot just looks like a fun person.

If I were her editor,  it would be one of the highlights of my career. The people who get to work with her are to be envied!

My Thoughts on the Andrew Smith Conversation

Recently, Andrew Smith, author of Alex Crow and Grasshopper Jungle, gave an interview where he was asked about his female characters.

Needless to say, his answer has set off the YA community into two camps: the critics and the supporters.

Having never read any of his books, I am not sure I am qualified to enter my opinion on his characters, but I will say that his answer for why he cannot write a well-rounded female character is problematic to me, and on a much larger scale. This article does a great job of laying out some points for why Smith’s answer was problematic and was instrumental in making me want to write this post.

To be truthful, I have wanted to write a post about diversity in publishing for a while. But I did not know how I want to approach it. There are whole discussions going on by the authors and publishers about how to address  the lack of diversity.  I did not feel that I had the adequate background information to write a post.

BUT… That article above by Derek Attig made some points that I felt had a broader scope. Attig makes a point about how women are not alien, they are humans with their own wants and desires, and to see them as inherently different is sexism at its core.  This is a great point, and it can be a universal message.

No matter your skin color, we as humans are not so different.  Yes, there will be cultural differences, but our wants and needs are almost universal.  So when I was reading Attig’s first point, I started thinking, this is applicable across the board. Just because a writer is of one race does not mean he/she cannot write compelling, and diverse characters or well-rounded characters of the opposite gender.

Writers, don’t be lazy. Research, imagine, talk to others. Don’t limit yourself.

Readers, demand more.  Don’t just read the same characters over and over. Expand your horizons.

And I agree with Attig’s response to Smith’s “I’m trying.” I will only say this: as Yoda said, “Do. Or do not. There is no try.”